Gallery Staff from 2018
View from the West Campus catwalk
Photography VERY long textiles.
Yale University Art Gallery
At the Gallery, our team of highly skilled photographers use the latest technology and techniques to capture stunning digital images of our collections. With a focus on serving the needs of our students, faculty, and researchers, our photographers work tirelessly to ensure that every object in our collection which comes through their studios is thoroughly documented, creating a treasure trove of visual resources for the benefit of all.
Our photography team also supports the Gallery’s many projects, including exhibitions, publications, and conservation treatments. Their work helps bring our collections’ stories to life and showcase their beauty and significance to the world.
Thanks to their hard work, we are proud to offer a vast array of images in our online digital catalog, providing visitors unprecedented access to our collections and enhancing their understanding and appreciation of the arts.
Today the photo studio operates under the umbrella of the Visual Resources department. The Gallery employs three full-time studio photographers and one part-time documentation photographer.
- Al Harding - Sr. Photographer
- Rich House - Sr. Photographer
- Milan Russell - Photographer
- Jessica Smolinski - Documentation Photographer
In addition to the photographers, the Visual Resources department employs:
- John ffrench - Director of Visual Resources
- Kathleen Mylen-Coulombe - Rights and Reproductions Coordinator
- David Whaples - Visual Resources Coordinator
History:
The Yale University Art Gallery began utilizing photographic images of its galleries and collections in the 1930s. Through varying Yale entities, photographic needs were accomplished by contract using some of the people below:
Emmidio di Cusati | 1936 - 1964 |
Richard Croteau | 1964 - 1966 |
Joseph Szaszfai | 1966 - 1988 |
Regina Monfort | 1989 - 1991 |
Michael Agee | 1991 - 1993 |
Carl Kaufman | 1993 - 1999 |
1999:
In 1999, The Yale University Art Gallery took the step to create an in-house, all-digital photographic department as part of a two-year grant to photograph highlights from the American Decorative Arts collection. Over time, the department expanded its scope and became a permanent entity within the Gallery, assuming the responsibility of photographing all collections.
FEATURED RESOURCES:
- Rights and Reproductions Handbook for Cultural Institutions
- Conservation Ingest Manual
- Conservation Keyword list (for import to Adobe Bridge/Photoshop)